A
wrong way to the top, by Kath Walters - 20th May 2004
(Credit: f2 Network
- BRW)
Tom Misner happily concedes that
ethics have not played a big part in his rise
in the music industry.
The
story of Tom Misner's rise from cleaning contractor
to the multi-millionaire proprietor of a global
education network is the story of how easy it
is to make a fortune in the under-regulated field
of private education. In 1976, when Misner started
his School of Audio Engineering (SAE), it was
even easier than it is today. In those days, there
was nothing to stop him from setting up the school
without a curriculum, charging fees to students
who knew only slightly less than he did, borrowing
"lessons" from articles published in
overseas audio engineering magazines, and failing
to start courses on time.
Misner
admits he could not have made his millions if
he had been very troubled by ethics. He says:
"The thing about starting a business in those
days, even now, is if you do everything correctly
you go broke. I never went and ripped off a student.
You paid, you went to class. I never knowingly
took someone's money and didn't deliver."
Misner
brags with breathtaking honesty
in
his official biography, The Misner Factor, about
his misdemeanors: saving the deposit for his first
home by repeatedly moving house and skipping out
on rent, receiving stolen goods (although he says
he did not know the $12,000 recording machine
he paid $500 for was stolen), failing to pay tax
for years until audited, collecting student fees
in cash, issuing them with a receipt but not keeping
financial records himself, appointing students
who had just graduated - and some who had not
graduated - to teach, exploiting staff who sometimes
worked long hours in excruciating conditions,
and failing to pay commercial bills. The biography,
which is written by a former SAE student, Robert
Charles Alexander, and published by SAE, chronicles
the whole sorry saga as if Misner were a loveable
rogue.
In
fact, Misner has many enemies, some who are bitter
about his elevation to superstar of the audio
engineering industry. It is hard to find anyone,
employees aside, who has a good word to say about
him; it is even harder to find a critic who will
go on the record. The views of many of those contacted
by BRW are summarised in the comment of one: "I
have mouths to feed. I don't want him causing
trouble in the very small industry in which I
work."
One
who will go on the record is John Burnett, who
helped Misner start his school. Burnett is furious
that Misner is lauded in the media. He believes
Misner has made his money through exploitation
of students. He doubts Misner's claims about having
a fortune or about his student numbers.
There
is no doubt that Misner is a rich man today. He
owns more than $60 million of property in Australia
alone, none of which has a mortgage over it. But
discovering the value of his worldwide network
of audio engineering and multimedia schools is
difficult. The holding company, SAE Holdings NV,
is registered in Curacao - an island in the Netherlands
Antilles and a well-known tax haven. Misner is
secretive, even with his managers. Asked for details
about the structure of SAE, the general manager
of SAE's head office in Byron Bay, Marco Bettelli,
says: "A lot of this information [Tom] has;
he tends to divide the information among his staff
so no one has a full picture. SAE is structured
into regional-based organisations that take care
of certain things. Tom has got real estate assets
that only he knows about."
Misner
was born in Zagreb, in the former Yugoslavia,
and moved to Australia in 1969 with his mother,
Inge, when he was 14. Inge, a successful restaurateur,
has helped Tom build his empire. Misner left school
at 15. He met his first wife, Kathy Falls, in
1972 and they had a son, Cameron, in 1975. He
and Kathy ran a contract cleaning business until
1976.
Misner
was struck with the idea for a school of audio
engineering when chatting to a band. He was introduced
to John Burnett, the owner of a company that made
amplifiers, called Lennard Amps. Burnett and Misner
set about starting up the school. Burnett contributed
some equipment and built a console on which students
could practise. Misner sold the cleaning business
to finance SAE.
Misner
and Burnett have different stories about what
happened next, but it is the moment when Misner
made his first enemy over SAE. Burnett claims
Misner promised to acquire more recording equipment
for the school, but did not do so. He says the
students became angry about the delays and Misner
disappeared, leaving Burnett to finish the course
with the disgruntled students in an established
recording studio, called Tin Pan Alley. Burnett
says he had to pay off the studio time by teaching
without pay at Tin Pan Alley. Misner sees it differently.
He says Burnett left the project soon after it
started and then set up a school in competition
with SAE, called the School of Electronics, which
later closed.
Misner's
biography reveals that he knew very little about
audio engineering and less about running a business.
But he was a fast talker. He set fees and curriculum
as he went along. As he ran out of teaching material,
he began regurgitating information he read from
American magazines. A student picked Misner up
on his ruse. The biography describes Misner's
response: "I never again taught directly
from an article in a magazine or book. I always
disguised the material with some reference to
my past or used background stories embellished
with a bit of truth."
Misner
funded one school by starting another. As fast
as student fees rolled in, he spent them on equipment
and building studios. In 1979, he started a course
in Melbourne; in 1980, Brisbane; in 1982, Adelaide
and Perth. In 1984, he started opening schools
overseas, the first in London.
Persistent
rumors
There
is little doubt that Misner has established a
global network of audio schools. The unanswered
question is whether it is as extensive as Misner
claims. Among the many persistent rumors about
Misner is the claim that he exaggerates the size
of the school and of his wealth to maintain the
status and power within the industry that so effectively
silences his critics.
As
a private school, SAE Institute is not required
to officially record its student numbers. This
is despite it being a registered training organisation,
accredited by the New South Wales Vocational Education
and Train-ing Accreditation Board to provide various
vocational education courses (at certificate and
diploma level) throughout Australia. The SAE Technology
College Pty Ltd in Surry Hills, NSW (part of SAE
Institute) is recognised by the NSW Department
of Education and Training as a higher education
provider of the Bachelor of Digital Media. This
authorisation is for NSW only.
Misner
claims to have 40 campuses in 20 countries. Attending
these schools in March this year were 27,682 students,
according to figures supplied by Bettelli. BRW
e-mailed all 38 schools mentioned on SAE's web
site, requesting information about fees and student
numbers in March. One message bounced back. All
but one of the other offices referred BRW to Bettelli.
One replied with numbers. The student numbers
supplied by that school are only 24% of the official
number supplied by Bettelli. The fees are 56%
of the figure supplied by head office. Neither
Bettelli nor Misner could explain the discrepancy.
Based
on SAE's official figures, there are more than
1450 students in the Sydney school. That would
make it tough to get time on the equipment. SAE
Sydney has 862 multimedia students and 631 audio
students. The three recording studios - eight-track,
16-track and 24-track - and six rooms with about
20 Apple computers in each, are available in four-hour
sessions, three sessions Monday to Thursday, and
two on Friday and Saturday. On this basis, each
of the multimedia students would have access to
two sessions a week. Assuming the studio time
works on the same basis, the 681 audio students
would be competing for 48 sessions in the studio
each week - a class size of 14 for every four-hour
session, or 17 minutes per student per week.
Is
there anything wrong with charging an advance
fee of $11,700 per student per year, or $12,780
a year for those who pay monthly (fees for Sydney
only) for such access? Not if students are willing
to pay.
However,
one concern expressed in the industry is that
Misner's wealth has been creamed off naive and
hopeful people. This is not the view of Catherine
Hutchinson, director of Studio Sessions Australia,
who manages record producers and runs educational
clinics on record production. However, Hutchinson
says young people who would love to work in the
recording industry do not understand how difficult
it is to get a job. "It is as rare as being
a top-10 recording artist," she says.
Kaj
Dahlstrom, the director of one of Melbourne's
larger recording studios, Sing Sing, says the
recording industry is dying, killed off by producers
working from "bedroom one and two" with
computer-based recording set-ups.
One
critic of Misner's who is prepared to speak is
Martin Cass, founder of JMC Academy. Cass's school
also teaches audio engineering as one of its five
courses in entertainment technology. Cass says
he does not like Misner's business tactics. "We
run five different degrees and we have our open
days," Cass says. "[Misner] tends to
hire billboard mopeds, advertising SAE, and park
them out the front on our open days. I find it
funny. He has also had people plastered out the
front of our doors handing out flyers.
It
goes to your credibility when you resort to those
tactics." Cass says Misner has also taken
legal action against JMC, which Cass says Misner
lost.
In
calculating Misner's minimum net worth of $245
million, BRW has taken a conservative view of
his claims. Calculations are based on student
numbers and fees, ratio of part-time and full-time
students and dropout rates. BRW discovered that
Misner has two equity partners in his business.
He
sold about 20% of his company to his mother, Inge,
who bailed him out of financial problems with
$30,000 in 1980, and $40,000 in 1984. In 1991,
he sold equity to an investor in Amsterdam, Jan
Bout. Bout's share is 5-10%.
The
Misner empire continues to expand. He says SAE
will open several new schools over the next 12
months, including one in Los Angeles and another
in Leipzig in Germany. Also, he says, facilities
will be expanded in Munich, Zurich, Sydney and
Melbourne.
Misner
says: "I started SAE as a joke; I didn't
think it would last long, but it just grew. It
is now my life's work, and I still like it and
I still spend a lot of time teaching."
TOM
MISNER
Born:
Zagreb, Croatia
Age:
49
Lives:
Byron Bay, NSW
Position:
Chief executive, SAE Institute
Career:
Misner set up SAE in 1976 and now has about 40
academies in 20 countries.
RICH
200: Credits much of his success to a life-long
lucky streak, which he has modestly dubbed "the
Misner factor".
Wealth:
$245 million
Links:
Media
websites
f2
Network
BRW
ABC
Media Watch
The
Australian: Media
Websites
SAE
Institute
Lenard
Audio
JMC
Academy
Elliott
Sound Products
Studio
Sessions Australia
IMMEDIA!
NSW
Department of Education and Training
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