For success, just add commercials


For success, just add commercials, by Garry Maddox - 1st June 2004
(Credit: The Sydney Morning Herald)


You would have thought financiers would throw money at the director of the hit Lantana.

Yet, three years on, Ray Lawrence has been unable to get another film off the ground. Jindabyne, a psychological drama that he has been planning with Deborra-Lee Furness and Gabriel Byrne in the lead roles, appears to be "permanently postponed" for financing reasons.

Lawrence, who won the main prize at the Australian Screen Directors Association awards in Manly last night, accepts the constant funding struggles as the reality for a film-maker in Australia.

His fellow director Peter Weir presented him with the Outstanding Achievement award for Lantana, his previous film Bliss and his commercials work.

"If you're a successful film director in this country, not necessarily working in America, you'd be making a film if you're lucky every three years," he said. "If I was purely relying on that for a living, I'd be broke."

Instead, he makes up to three commercials a month in Australia, France and elsewhere. "Almost everything I've learnt about films comes from making commercials. You get to practise your craft and you get to work with a lot of really good actors who are also not making feature films."

Since the "I can't get by without my Mum" deodorant campaign decades ago, he has made the likes of the Goggomobile ads for the Yellow Pages, the King Gee ads laced with sexual tension and the milk ads featuring a retired milko still doing his rounds.

He believes there is often a snobbish attitude about making commercials compared to films. "There are a lot of idiots directing films and there are lot of idiots directing commercials. There are also a lot of good people doing both things."

Even with financing as tough as ever, he plans to persevere with films. "I'm trying very hard to make films that are about this country, that aren't just quirky little things . . . Lantana proved we can make films that other people can't just because our culture is so different. People are interested in different cultures - similar but different."

Weir said Lawrence had shot at the target only twice with Bliss and Lantana, and "they both hit dead centre".

Awards for excellence in a body of work went to documentary maker Curtis Levy (The President Versus David Hicks) and film and television director Sue Brooks (Japanese Story). Best direction of a first feature went to Paul Currie (One Perfect Day) ahead of Darren Ashton (Thunderstruck), Khoa Do (The Finished People) and Jan Sardi (Love's Brother).

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